January 2010 Archives

Veggie Five: Artichoke

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This one was an awful long time coming. I bought my first artichoke in November, put off cooking it for a few weeks, and then threw it away when it got mushy. I bought another in December, belatedly remembered it right before winter break, and decided to see what would happen if I froze it while I was gone. It did not end well. Today I went shopping, bought another artichoke, and resolved to make it that very evening.

So I did. The months spent contemplating this mysterious vegetable have involved a good amount of research. Joy of Cooking insists that artichokes are best blanched and then eaten as a finger food, dipped in melted butter. It also claims that you can extract the meat from the outer leaves by pulling them through your teeth. I bought this. It did not end well.

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First, in my defense, let me say that I have never prepared or eaten an artichoke before. I looked at diagrams of them, so I had a general idea about what would be inside, but it did not fully prepare me. I blanched it, melted some butter, and then attempted gamely to pull the outer leaves through my teeth and extract their interiors. All that I learned was that artichoke leaves are pointy and sharp and generally unpleasant. Their flavor is "vegetabally" and that's about all I can say for them. I was still not sure I was doing it right, so I hacked my way through to the heart. This dense, white material seemed more promising (after I scraped off the terrible corn silk-like pistols and stamen or whatever). I tried it, but was equally unimpressed with its flavor.

Artichoke, you are a mystery to me. I will leave you to more knowledgeable chefs.

Vegetable Four: Parsnip

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Okay, this is a cop-out. I put the parsnip in a beef stew. But it was the best-cooked of all the root veggies I put in there! Very sweet and enjoyable.

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Cathy's Beef Stew

Sautee until wilty and caramelized in a dutch oven or large pot:
  • 2 cloves garlic, finely chopped
  • 1/2 cup celery, chopped
  • 1 cup onions, chopped
Pat dry and brown on all sides with vegetables:
  • 2 lbs. stew beef
Add enough beef stock and red wine (the ratio is up to you) to cover the meat. Add:
  • 1 bay leaf
  • 4 San Marzano tomatoes
  • rosemary
  • onions
  • celery
  • salt and pepper
to taste. Bring to a boil, then cover and turn the heat to low. Let simmer for two hours or so. Add:
  • potatoes
  • carrots
  • parsnips
to taste and cook until everything is tender. Thicken it up with some flour mixed with cold water. Serve on a cold day.
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It's unfortunate that Terry Gilliam's newest Faustian dreamscape of a film is best known as "Heath Ledger's last movie," because there's so much else in the movie to know it for.

The premise is this: Doctor Parnassus (Christopher Plummer) is a former monk who began making wagers with Mr. Nick (Tom Waits), the Devil. By winning these wagers, he managed to extend his life for thousands of years. Flash forward to the present day--Parnassus has a beautiful daughter, Valentina (Lily Cole), and travels through London in a horse-drawn traveling theater with her, his faithful friend Percy (Verne Troyer), and a boy named Anton (Andrew Garfield) whom he'd rescued from the streets as a child. 

The show they put on is always the same: one viewer at a time is welcomed to enter their mirror into the imaginarium, a fantastical world within Parnassus's mind, in which he is faced with a choice between baser pleasures and higher aspirations (for example, a seedy bar versus a twelve-step program). If he chooses the former, Mr. Nick wins their soul. If the latter, Parnassus. The show is not very popular.

It turns out that Parnassus has made a wager which gives Valentina's soul to Mr. Nick on her 16th birthday. Knowing Parnassus wants desperately to prevent this, Mr. Nick offers a bet wherein the first of the two to win five souls will get Valentina. Parnassus agrees. Valentina saves the mysterious, charming Tony (Heath Ledger), who allegedly can't remember his past, and he joins their troupe and agrees to help gather the five souls.

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That's the simplest I can put it, although there are paragraphs and paragraphs more to write. It would be easy to say that the story is as simple as "man makes an ill-advised deal with the devil," but that's really not true. This isn't a film of simple, clean-cut morality. All of its central characters are at times ambiguous or duplicitous, and the eventual outcome is hardly what you'd expect going into the film. I love its story because it's not similar to how people remember Faust, it's similar to how Faust actually is. Mephistopheles is a friend as well as an antagonist, and Dr. Faust is no saint. Plummer's Parnassus is a weak-willed, blubbering drunk as well as a noble, god-like figure. And all of the people Mr. Nick wins seem to end up happy, despite their apparent damnation.

Visually, the film is gorgeous. Both Gilliam's trademark stylized decay, as well as the lush, bright fantasy world inside the imaginarium are wonderfully rendered. Its visual effects are obviously artificial, but the characters still seem to physically inhabit them as much as they inhabit the gigantic, dingy wagon that holds the theater.

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This movie's buzz has mostly been about Heath Ledger and his three all-star stand-ins (Johnny Depp, Jude Law, and Colin Farrell). In short, they blend into the narrative beautifully and unobtrusively. There's only one scene where I found myself wishing that Heath Ledger were playing the role when he wasn't. Happily, Ledger has a lot of screen time in the movie, and he does a very good job. It's no Joker performance, but certainly one of the best roles of his short career. The other three do a fantastic job of adopting his mannerisms and voice, and  you can clearly imagine that they're just Tony with a different face.

All in all, this movie comes highly recommended. As my friend commented to me after it ended, "That totally makes up for Avatar."
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Forwards and Backwards

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So my last Christmas Break is drawing to a close--it was really not nearly as frustratingly unproductive as some previous ones were, although I didn't do as much as I could have.

I did the usual Christmas decorating and traditions, played a lot of Wii Resort, got a lot of fantastic cooking-related gifts (including a mouth-wateringly awesome Le Creuset dutch oven), made the questionably wise decision to buy an iPhone, saw two movies with friends, made stew for those friends in the aforementioned dutch oven, ate at a fancy restaurant, blew $23 playing slots at the MGM Grand, worked on a blog I've been commissioned to design, destroyed and rebuilt the Gargoyle site in the process of attempting to update Movable Type, watched entirely too much Food Network programming with my family, had Kobe beef tartare (delicious), got to know my sister's boyfriend a little better, slept in til precisely 9:30 every day, went to Frankenmuth, saw the gorgeous Richard Avedon exhibit at the DIA, and a variety of other things.

When written out in a list like that, it looks very impressive, but largely it was pleasantly dull and restful, a good couple weeks of unwinding before I start on my final semester at Michigan. What I didn't do that I should have done was apply for some jobs. I think part of me wants to put that off as long as possible even though I consciously know it's going to be a long, tough process, and I should get started on it as soon as possible. It's comforting that, talking to many of my friends, a lot of other people seem to be in the same wishy-washy, undecided, apprehensive, and overwhelmed boat as me. I suppose the thing to do with this, as in most things, is to tackle it one step at a time.

Anyway, the hovering monster that is job-hunting aside, I'll be happy to get this last semester (and my last two Gargoyle issues) done with. I'm a little sick of school and all other kinds of unpaid labor and ready to get started on my life. It's scary, but also really exciting. Wish me luck.