August 2010 Archives

Ten in the Morning Blues

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The drive back from Ann Arbor today activated one of my stronger recent sensory memories. At ten o'clock or so in the morning on sunny days during the warmer months, light hits the trees and streets of southeastern Michigan suburbia in such a way as to make it uniquely beautiful. A landscape that typically looks dull and unlovely in afternoon sun is transformed into a gentler, quieter, more mysterious place.

I first (or, at least, most strongly) experienced this as I took a roundabout drive home after completing my last IB test in May 2006. With a cool spring breeze in my face, the prettier-than-normal landscape, and the light traffic of a post-rush hour weekday morning, I was really sublimely happy. I had successfully completed what was by most accounts a harrowing high school experience, and I had a long summer and the exciting prospect of college ahead of me. The feeling that day really stuck with me, and echoes back whenever I encounter those particular conditions.

This morning's drive was also pleasant and peaceful, but there was a distinctly more melancholy edge to it. It wasn't May this time. The foliage is already starting to fade and brown. The air is cool because Fall is on its way. And my immediate future is no longer quite so glowing and carefree.

One of the reasons I was looking forward to college so much that May four years ago was that I was excited about the prospect of becoming a legitimate adult. I don't think I'm really there yet, but I'm certainly much closer. Unfortunately, it seems to me that adulthood is, in a lot of ways, about losing that innocent enthusiasm for the future. More and more, my fantasies about how things will play out are tempered by a pessimistic, pragmatic voice in the back of my head that relishes in crushing flights of fancy.

These days, the way that ten o'clock sunlight falls through the leaves mostly reminds me of things I've lost.

Dog Experiments

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After a great deal of wheedling and debate, my parents ended up getting a new puppy last week. His name is Max and he's a 13-week-old Australian shepherd mix of some sort. He's pretty much the sweetest, most well-behaved puppy I've ever run into--he apparently is intuitively house-trained and responds really quickly to corrections. I think ultimately his mellowness will pair well with Sydney's slightly more neurotic disposition, but for now she's still adjusting to having another dog in the house and is very concerned with asserting her dominance. As a result, this has basically been our house for the past week:

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Basically, a lot of half-serious, half-playful roughhousing that gets annoying when you're trying to watch TV. Sydney is constantly fascinated by him, and he can't help egging her on, so this happens every time both of them happen to be awake. I'm curious to see how it will play out once he starts getting bigger than her (which will probably be sooner than later).

Things I Like: The National

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I always feel like I get into bands via the wrong routes. I suppose there's really no right or wrong way to decide to listen to something, but I get that slightly guilty feeling nonetheless. Maybe I'm ashamed I don't follow the music world as closely as I'd like.

Anyways, before last week, I had only known The National from their track on that magnificent compilation of indie splendor, Dark Was the Night. I saw in the paper that The Antlers were opening for The National at the Royal Oak Music Theater. I've been wanting to see The Antlers since The Last Hurrah derailed my attempts to go to their Ann Arbor show in April, so I decided to check The National out to see if the show was worth going to.

I started with their most recent album, High Violet. It is excellent. Very genuinely excellent. It's hard for me to pick a favorite track because every song packs a firm musical punch. The first impression you get of The National is that it's kind of like Interpol, since Matt Berninger's vocals land in that particular deadpan, baritone-y zone. Upon further listening, though, the band's distinct sound and style emerges: intense, round, full, carefully orchestrated, ebbing and flowing, sometimes playful and poppier, sometimes dark and threatening.
 

By the time I got to Royal Oak last night, I'd gotten a good grasp on High Violet and Boxer, the album preceding it. The Antlers were fantastic, but The National blew me away. It was definitely one of the best live shows I've been to. The energy and sound were both amazing. If you have a chance to see them live, I couldn't recommend it more highly. Regardless, buy their albums. Do it. You'll thank me.

[Addendum:] Here's a video of "Fake Empire," the pre-encore conclusion of the show on Tuesday night. The quality's not ideal, but it conveys the energy of the show pretty well.